The Gospels describe Mary of Magdala as one of Christ’s followers, a witness to his burial and resurrection.

Britannica Premium: Serving the evolving needs of knowledge seekers. In 1599 he was received into the guild of painters, and after 1601 he divided his time between his studios in Bologna and Rome. Guido Reni was born in Bologna on Nov. 4, 1575.

Nearly five metres high without its frame, it is one of the largest paintings in the National Gallery’s collection.In a stable in Bethlehem, a group of shepherds gather around the newborn Christ. Not on display Lot and his daughters are shown fleeing the sinful city of Sodom, forewarned by God of its destruction (Genesis 19).

The family are in a moment of conversation, perhaps contemplating their next move. He was a quintessentially classical academic but he w... Guido Reni: Drawings Colour Plates - Read book online He strove toward a classical harmony in which reality is presented in idealized proportions. Italian painter, b. at Calvenzano near Bologna, 4 Nov., 1575; d. at Bologna, 18 Aug. 1642. His religious compositions made him one of the most famous painters of his day in Europe, and a model for other Italian Baroque artists.

This detailed portrayal of Christ’s face convincingly conveys his anguish in the aftermath of this torment.

This painting depicts the mythological story of Europa, daughter of the King of Tyre, who, while playing on the seashore one day, was approached by a docile bull.

Reni, who returned to Bologna from Rome in 1614 and remained there until his death in 1642, remained the strongest artistic personality in that northern city but steadily abandoned the strong plasticity of the Carracci for a much looser style with a pale tonality.

In this scene inspired by Ovid’s Metamorphoses, Andromeda, daughter of the Ethiopian queen Cassiope, is about to be sacrificed to placate a monster summoned by Neptune, god of the sea. Mary Magdalene was later identified with another biblical figure, an unnamed woman un... Guido Reni, (born Nov. 4, 1575, Bologna, Papal States [Italy]—died Aug. 18, 1642, Bologna), early Italian Baroque painter noted for the classical idealism of his renderings of mythological and religious subjects.

The saint is depicted here with a number of identifying attributes: a crucifix refers to his religious contemplation d... Guido Reni and his studio p...

Reni was trained by Denys Calvaert, and then probably in the By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica.Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Upon gaining prominence Reni surrounded himself with helpers—such as In his early career Reni executed important commissions for Pope Except for the work of the Carracci family, the frescoes of Raphael and ancient Greek sculptures were the main inspiration for Reni’s art.

Portrait of Beatrice Cenci, late 19th century after the original by Guido Reni 1600 Listings by region He began his apprenticeship under the mannerist painter Denis Calvaert and then entered … Not on display The hero Perseus appears at top left on his winged horse Pegasus, preparing to kill the monster and rescue the d...

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Guido Reni (1575 – 1642) was an Italian painter of high-Baroque style and popular religious works and critically acclaimed mythological scenes.

Guido Reni (Italian pronunciation: [ˌɡwiːdo ˈrɛːni]; 4 November 1575 – 18 August 1642) was an Italian painter of high- Baroque style. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree....

He painted primarily religious works, as well as mythological and allegorical subjects.

Draping a flower garland on its horns, Europa unsuspectingly climbed onto its back.